Peral makes evident the power of representation that affects the real. Despite becoming more abstract, having lost the human form that characterized his first pieces throughout his career, his sculpture continues to maintain a principle of figuration, a representative link with man, with the human. It is made up of fragments, which, separated from their original structure, seek a recomposition or meaning in their fragmented identity.

They are not pieces that once associated can create a structure, the fragment is something broken, separated, dissociated, lost, reactivate its meaning can become an impossible task, but linked to other fragments it can create associations, recognize what was, or at least feel, the vague memory of what eludes us.