Freymann’s work, apparently simple, proves to be fiercely effective in subjugating the beholder. Her paintings move us to a dream plane that, according to the artist’s own words, is in the things we already know. The formal surrealism of these pieces slides like a veil to give way to the logic that reality dictates.
The forms of time and space as pictorial elements. The mineral, the accident, the meteoric and the meteorological. The subtle difference between what lives and what exists.