In Juan de Sande the multiplicity of the visible is present from the very process of image construction, composed through the sum of various realities that converge in a new non-existent visible field. An essentially theatrical field and, in a sense, baroque, a place where vision is staged.

It is a fragmentary image that reconstructs an impossible whole. Faced with these images, the viewer’s gaze becomes restless and mobilized, as there is something there that should not be there, something familiar and at the same time strange.