Pablo Capitán Del Río

Pablo Capitán Del Río

In Pablo Capitán del Río’s work, precariousness appears not only in the use of materials, generally close to the universe of the povera, but also in the sense of the work as a composition always on the verge of collapse. His works, both his interventions that revolve around the recovery of natural processes, and his more objective installations and sculptures always present an imbalance that generates in the viewer an awareness that everything can change from one moment to another. Works that move, that initiate processes, that disturb the viewer’s gaze, but above all that transform their relationship with space and the environment. The constant decision-making regarding the way to face the work, to look at it, to move away from it so as not to be touched by it or not to destroy it, also implies a kind of “care” in perception, a look that intuits that what is It has not always been like this before him, and, of course, it will not remain in that state from now on, in such a way that a kind of urgency is transmitted when seeing and feeling.

Pablo Capitán del Río, Secante V, 2021
Glass, cast iron, slag, mirror glass converter, silicone and iron
70 x 59 x 2 cm
Pablo Capitán del Río, Secante VIII, 2021
Glass, cast iron, slag, mirror glass converter, silicone and iron
46 x 42x 2 cm
Pablo Capitán del Río, Untitled, 2018
Ceramic plaster, iron and wood filing
190 x 40 x 40 cm
Pablo Capitán del Río, Vanitas, 2018
Polyester putty, fiberglass, enamel, cement, copper wire
Variable dimensions
Pablo Capitán del Río, 2019
Burnished iron, pigment
12 x 7 x 6 cm
Pablo Capitán del Río, Level crossing bells
Iron, glass, polyurethane resin.
62 x 117 x 36 cm
Pablo Capitán del Rio, Power cord with bone, 2018
Ceramic tile, bone and cable
Pablo Capitán del Rio, Fluorescent Chumbera, 2018
Mixed media
110 x 65 x 39 cm
Pablo captain del Río, Chumbera fluorescent, 2018
Mixed media
210 x 120 x 80 cm
Pablo Capitán del Río, Taburete de biblioteca, 2018
Dibujo de óleo y aceite sobre papel
42 x 29 cm (aprox.)
Pablo Capitán del Rio, Rural road sign, 2018
Iron, sulfur and pine pollen
30 x 20.5 cm
Pablo Capitán del Rio, “L” (“L” furniture), 2018
Madera de iroko, hierro, cristal verde
170 x 60 x 40 cm (aprox.)
Pablo Capitán del RíoHierro, 2017
Iroko wood, copper, tin, cork, polyurethane resin, Erythroxylum coca (coca powder),
93 x 218 x 50 cm
Pablo Capitán del Río, Meteorite and plumb, 2017
Rope, iron, ceramic, polyester resin, meteorite,
Variable measurements
Pablo Capitán del Rio, Untitled, 2017
Print of pigmented inks on neutral cotton paper
56.5 x 42 cm
Pablo Capitán del Rio, 2017
Glass, blued iron, rubber, silicone, steel
120 x 120 x 12 cm
Pablo Capitán del Rio, 2017
Polyurethane resin, lead, iron, brass, paint, polyester putty
158 x 43 x 3.5 cm
Pablo Capitán del Rio, Origami coconut-eater, 2017
Lead
50 x 46 x 35 cm
Pablo Capitán del Rio, 2016
Polyester resin, iron powder, leather, desk, iron, fiberglass
135 x 90 x 42 cm
Pablo Capitán del Rio, Untitled, 2016
Desk, painted bronze
60 x 42 x 65 cm
Pablo Capitán del Rio, Murcielago, 2017 (Ed. 25.)
Bronze and oil
Pablo Capitán del Rio, Untitled, 2016
Iroko wood, hot melt glue, iron and paint
150 x 80 x 40 cm (approx.)
Pablo Capitán del Rio, Venus of Willendorf split by seeds
Pigmented ink print on neutral cotton paper
56.5 x 42 cm
Pablo Capitán del Rio, Tiburon, 2016
Rubber, iron, wood, plaster, paper, cement, glass, magnet and iron powder